Line & Color, vii

The Final Pictures

The final decision was to attempt to darken the middle flower and create more light / dark contrast. Don’t think it works. The other choice was to move from more warm at the base of the painting to cooler on top. Washes of yellows and yellowy-pinks went in, from bottom to top. Purple-blues were overlaid the very top flower.

To a degree, I think this warm-to-cool saves the painting, but the lost contrast in the middle flower weakens it as a whole. The contrasts between the red and green of the leaves helps, but doesn’t save it. The B&W below shows this quite clearly.


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