As you know by now, the Asian brush is differently constructed than the Western brush, and its usage has its own traditions. Calligraphy and painting are considered to be the same, if you base it on language; it is my…
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The Four Treasures: Brush, iii
Tagged with: Asian calligraphy, calligraphy brush, Chinese calligraphy, hard brush, hiragana, ink painting, Japanese calligraphy, kana, kanji, mixed hair brush, mosen, Painting, soft brush, sumi, The Four Treasures
Posted in Blitherings, Brush Strokes, Brushes, Sumi-e & Ink Painting, The Four Treasures
Posted in Blitherings, Brush Strokes, Brushes, Sumi-e & Ink Painting, The Four Treasures
The Four Treasures: Brush, ii
Quite some time ago, I wrote about brushes used in Asia. As I am beginning Saturday morning Japanese language classes, I am in conflict with time and distance in being able to attend my Chinese painting class. I’ll just have…
Tagged with: Asian calligraphy, Asian painting, Calligraphy, calligraphy brush, Chinese calligraphy, chinese painting, four treasures, handwriting, hard brush, holding a brush, how to hold a sumi brush, how to hold an Asian brush, Japanese calligraphy, japanese painting, mixed hair brush, Palmer Method, penmanship, soft brush, sumi, Sumi-e & Asian Art - Artists & Supplies, The Four Treasures
Posted in Artists, Blitherings, Brushes, Sumi-e & Ink Painting, The Four Treasures
Posted in Artists, Blitherings, Brushes, Sumi-e & Ink Painting, The Four Treasures
